Travis scott birds in the trap sing mcknight album
As a result, Scott becomes almost an afterthought on his own album. In fact, only one song, “Sweet Sweet,” has no features. Regarding guests, Birds’ tracklist is stuffed to the brim with them. The title lacks real connection to the album or even the rest of the song that it comes from, “Pick Up the Phone.” Even the album’s name, Birds in the Trap Sing McKnight, is impersonal, as it stems from a line delivered by one of the tape’s many guest features. Birds in the Trap Sing McKnight feels neutered, dirtied with the hands of record label executives who desperately want a repeat of the Rodeo platinum smash hit “Antidote.” Where Scott’s previous records felt personal and unique, Birds feels average at best and too similar to the current trap-inspired Billboard Top 40 artists. Manipulated and distorted, his voice sounds like another instrument layered over the track. Rather, Scott finds his success in his immensely inventive musicality. One thing to keep in mind about Travis Scott is that he is not, by any stretch of the imagination, a good lyricist. However, Scott’s latest studio album, Birds in the Trap Sing McKnight, lacks almost all of the qualities that have made his music enjoyable, resulting in a generic, monotonous flop.
Rodeo refined this sound, making it less abrasive and more pop-friendly, creating a project which maintains Scott’s originality while keeping him from falling too far off-the-rails. It’s a sound that really shouldn’t work but somehow does. Days Before Rodeo is filled to the brim with beat changes, rattling high-hats, auto-tune and synths - all of which have been processed beyond recognition. The sound that Scott has crafted throughout his career is grungy, distorted and decidedly different from more mainstream song structures.
1 on the Billboard Top Rap Albums, respectively. During his few years in the industry, Scott has been a featured producer on several Grammy-nominated albums (Drake’s If You’re Reading This It’s Too Late and Kanye West’s Yeezus ) and has created platinum singles, such as “Antidote.” His previous two projects, mixtape Days Before Rodeo (2014) and album Rodeo (2015), were met with critical acclaim and popular success, premiering at No. Travis Scott is a 24-year-old hip-hop artist and producer from Missouri City, Texas. Album DescriptionAlthough Travis Scott has gone against the grain of current trap artists, his most recent album, Birds in the Trap Sing McKnight, is an underwhelming and all-too-generic record. See More Your browser does not support the audio element. Among the others on the guest carousel are Kendrick Lamar, Kid Cudi, 21 Savage, and Cassie. This time, Scott co-produced only one track, another Weeknd collaboration, and it easily slips into the album's scheme with its serpentine menace and lightweight lyricism. Only on "Guidance," through scuttling drums granted by DF, is there a significant shake-up. Swarming basslines and sluggish beats likewise form the rhythmic foundation, with gauzy and tickling keyboards adding sweetness to Scott's hedonistic hooks.
of Scott, who remains deeply into heavy accessorization and proclamations of dominance, as well as punctuations with affirmative exclamations cast in dehumanizing pitch alteration. The album's deepest verse by a great measure, it has no discernible connection to Scott's surrounding rhymes of cocksure nonsense. Among the present is André 3000, who drops by on "The Ends" to recollect the infamous rash of murders that struck his city during his early childhood. Released almost exactly a year after Rodeo, Birds in the Trap features little development, though the large company Scott keeps is quite different, and Metro Boomin is noticeably absent. It's easily the track with the most pop appeal on Scott's second full-length. "Pick Up the Phone" functioned as the lead single off Thug's JEFFERY, and it sensibly reappears here, buried in the latter half, de-emphasized yet not quite a tacked-on bonus. Titled after one of Quavo's lines from the chirpy summertime 2016 hit co-billed to Travis Scott and Young Thug, this fitfully hypnotizing follow-up arrived after numerous delays, toward the end of the year's third quarter.
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